Mixing Immersed for the Cinematic World Premiere|Behind Immersed: Episode 13


Behind the Sonic Landscape: Crafting an Immersive Musical Experience

In the heart of Toronto’s TD Music Hall, a sonic revolution is taking shape. I’m standing amidst a cutting-edge 38-speaker immersive sound system, meticulously fine-tuning the Immersed album for its world premiere on June 7th. This isn’t just a mix—it’s a cinematic journey.

Using Dolby Atmos technology, I’m translating the album’s intricate soundscape from a home entertainment format to a full-scale cinema experience. With just my laptop and Pro Tools session, I’m making micro-adjustments, pushing levels, and calibrating sound objects to breathe life into every musical nuance.

The process is reminiscent of legendary acoustic installations—creating a 360-degree sonic environment that transforms music from a passive listening experience to an immersive narrative. By carefully mapping sound across the speaker system, we’re not just playing music; we’re creating a spatial storytelling experience.

This premiere isn’t just a concert—it’s a homecoming. Born and raised in Toronto, bringing this project to Massey Hall feels like a full-circle moment, blending cutting-edge technology with deeply personal musical expression. Get ready for a sonic journey that transcends traditional music boundaries.

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Justin Gray is an award-winning mix engineer, mastering engineer and producer based in Toronto, Canada. He works with artists from around the world in a wide range of musical styles, in his world-class facility equipped for stereo and immersive audio music production.

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