Mastering Dolby Atmos Music Production – Object Placement, Binaural & Mix Preparation: Episode 2


Diving into Dolby Atmos Music Production: Object Placement and Immersive Audio Techniques

In our latest exploration of immersive audio, we’re breaking down the incredible potential of Dolby Atmos music production. This isn’t just about adding more speakers or creating fancy sound effects—it’s about reimagining how we experience music.

Using my track “New Horizons” as a sonic canvas, I’ll walk you through the magic of object-based audio. The key revelation? Most of your existing mono and stereo tracks can seamlessly transform into an immersive experience. It’s not about completely rebuilding your music, but strategically expanding its spatial potential.

Take drums, for instance. By using advanced up-mixing tools like the Nugent Audio Halo, we can expand a simple stereo drum stem into a 10-channel experience. Suddenly, those drums aren’t just in front of you—they’re surrounding you, with reverbs creating a breathtaking sense of space. My brother Derek’s drumming literally comes alive in this format.

The same magic applies to other instruments. The Venuti String Quartet’s performance demonstrates how static object placement can create depth. By positioning string layers at different heights and depths, we’re crafting a three-dimensional soundstage that traditional stereo simply can’t achieve.

What’s truly revolutionary? The Dolby Atmos ecosystem’s ability to automatically generate high-quality fold-downs. Whether listeners are using a 7.1.4 speaker array, stereo speakers, or headphones, the music adapts without requiring multiple mix versions.

For musicians and producers curious about entering this realm, the barrier to entry is lower than you might think. You can start with your existing stereo recordings, print stems, and work with immersive audio specialists to transform your music.

Future videos will dive deeper into mastering techniques, multi-channel composition, and the nuanced art of creating music specifically for immersive formats. The goal isn’t just technical perfection—it’s inspiring a new way of experiencing sound.

Ready to expand your musical horizons? Stay tuned, keep experimenting, and remember: immersive audio isn’t the future—it’s happening right now.

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Justin Gray is an award-winning mix engineer, mastering engineer and producer based in Toronto, Canada. He works with artists from around the world in a wide range of musical styles, in his world-class facility equipped for stereo and immersive audio music production.

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