Recording Reverb with Immersive Worldizing | Behind IMMERSED: Episode 16


In this groundbreaking audio engineering exploration, we dive into a revolutionary recording technique that goes beyond traditional digital reverb. By playing studio recordings into the stunning Aga Khan Museum auditorium in Toronto, we capture the natural ambience of a world-class concert hall, creating an unprecedented depth of sonic realism.

Using meticulously placed microphone arrays – including a 15-channel cardioid setup and an innovative ambisonic microphone – we demonstrate how carefully engineered sound capture can transport listeners into the heart of a performance. The process isn’t just technical; it’s deeply philosophical, reflecting music’s power to break cultural barriers and unite artists from around the globe.

This approach transforms recording from a technical process into an artistic journey, where each sound is allowed to naturally breathe and fill a magnificent acoustic environment. The result? Performances that feel alive, authentic, and emotionally resonant in ways digital processing could never achieve. A testament to collaboration, creativity, and the transformative power of sound.

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Justin Gray is an award-winning mix engineer, mastering engineer and producer based in Toronto, Canada. He works with artists from around the world in a wide range of musical styles, in his world-class facility equipped for stereo and immersive audio music production.

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